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(If this isn't allowed, mods, please delete and apologies.)

Because I am a music/film geek and will be a composition student as of next year, I spend some of my spare time analysing film scores and trying to figure out what goes where, and how the composer's done certain scenes. When it came to Inception, however, the plot and the music are a lot ( Read more... )

Inception's amazing costumes and their talented designer Jeffrey Kurland, received only one nomination for "Best costumes"; this was from the Costume Designer Guild, in their contemporary film category. At the award ceremony on the 22nd of February, Kurland lost to Amy Westcott of Black SwanI said in my meta on the costumes that I wasn't surprised ( Read more... )

OK, I'm not entirely sure of the protocols of this, but I've started a new comm for meta discussions - eventually I also plan on adding a masterlist of all meta entries I can find that have already been done. Anyway, I really hope you all come and check it out.

community.livejournal.com/inception_meta/

So first I did a meta on Arthur's job, now it's time to talk about Eames'. This one has a lot less character commentary; as I say in the entry, I had more of an agenda when I wrote Arthur's.

Link to my journal:  fae-boleyn.livejournal.com/19934.html

In appreciation of the amazing costumes of Inception and because they've only been nominated for one award (the Costume Designer Guild's contemporary film category), I have put together some dial-up killing meta that examines the work Jeffrey Kurland and co. put into the main characters' looks and what the costumes reveal about the characters.


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At the Art Directors Guild Awards on Saturday, Guy Hendrix Dyas won in the fantasy category for his work on Inception. Also nominated were Alice in Wonderland, The Chronicles of Narnia: The Voyage of the Dawn Treader, Harry Potter and the Deathly Hallows: Part I, and Tron: Legacy.

The King's Speech, which is nominated along side Inception for the ( Read more... )

I know that in the film, the team travels with the PASIV on the plane because it's Saito's. The team implied, however, that they are not used to having private planes. In the script, Arthur outlines what they would need to do if it were even possible to fly privately:

On a 747 the pilots are up above,
first class is in the nose so
nobody walks through ( Read more... )

OK, so this is my first meta post, but after finally working out something that had been bugging me in the film, this little analysis on Arthur's job duties was just begging to be written. And I have a feeling that there's a forgery meta in my future...

Link to my journal: fae-boleyn.livejournal.com/14015.html

Forgive me if this has been discussed before, but if it was I couldn't find the post ( Read more... )